Centered on the themes of dispersion and diffusion, this poster collection explores these concepts through two opposing perspectives. The poster on the right captures the beauty of natural phenomena—such as clouds and dandelion seeds—using circular patterns and fluid motion, presented in a mood-board style with paper-cut textures.
In contrast, the poster on the left emphasizes the negative societal impact of urban chaos and the paradoxical spread of disease. To create a juxtaposition with the first piece, this work is structured and designed around a grid, reflecting the architectural nature of a city Together, both pieces highlight the dynamic and contrasting forces of dispersion found within both nature and society.
Developed during the Halloween season, this project involved selecting a book on Witchcraft to create a comprehensive editorial design across three platforms: mobile, desktop, and print. To capture the mystical essence of the subject, I established a primary color palette of purple and green.
A defining feature of the print edition is the glossary, which I designed as an embedded 'mini-book' printed on contrasting pink paper to provide a clear visual and tactile distinction for categorized content. My approach focused on leveraging the strengths of each medium while maintaining a consistent design system and typography to ensure a seamless brand experience for the reader across all platforms.
The text is processed through a Volume Builder and Mesher to melt the edges into an organic shape, while a Voronoi Fracture defines the internal structure and delay provide that signature, translucent jelly-like wobble.
This project explores what defines graphic design practice by analyzing the values, working methods, and visual voices of practicing designers. Based on the interviews, the story is constructed through visual treatments using typography, layout, and imagery to reflect the tone and essence of each designer’s practice.
In rebranding the Chess Hall of Fame & Gallery, the goal was to look past the familiar black-and-white aesthetic and highlight the enjoyment found in chess. The logo recreates chess pieces by stacking simple geometric shapes like blocks; these graphic elements are designed to expand flexibly into patterns or strips across various media.
Inspired by Chobani’s original mission, this rebranding is rooted in the meaning of “shepherd.” Drawing from the nomadic traditions of shepherds, the design features motifs inspired by quilts. The geometric sheep mascot becomes the core of the brand, delivering a friendly and approachable image. Through this rebranding, Chobani blends tradition with modern interpretation, reaffirming its original mission.
Illustrations created using Adobe Illustrator, with mock up images taken from online resources.
Designed publications for Brown University’s nonpartisan political journalism magazine.
Designed and launched the CCIDS and Brown Mock Trial websites in collaboration with Brown University computer science students.